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  • Home
  • About Us
    • Welcome!
    • Mission
    • Board and Staff
    • Membership
  • Programs
    • Educator Professional Development
    • Annual Arts Education Conference >
      • Overview
      • Submit a Proposal
      • Registration
    • Joint Arts Administrators Institute
  • Resources
    • Journeys: Guidebook to Arts Integration for Secondary Educators >
      • Arts Integration Resources
    • Arts Ed Thread
    • Arts Chat: Blog >
      • Arts Chat: Weaving the Threads of Arts in Education
    • Gallup Student Poll
  • Recognition and Awards
    • STEAM School of Excellence
    • Ray Doughty Arts Integration Award
    • School of Excellence
    • Arts Administrator of the Year
    • Community Arts Education Impact Award
  • Donate
  • Contact

Arts Chat
Weaving the Threads of Arts In Education

Taking the Scaries out of Dance Integration

10/11/2024

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“I’m not a dancer!”
If that thought has ever crossed your mind when considering dance integration, don’t worry! Dance integration isn’t about perfect pirouettes or flashy jazz hands—it’s about using movement creatively to make learning more engaging and memorable. Let’s swap fear for curiosity and explore simple ways to bring dance into your classroom.

Dance isn’t just for the studio or the stage; it’s a powerful tool for learning. When students move
their bodies, they engage multiple senses, reinforce concepts, and build connections. Wherever
you are on your dance integration journey, here are a few tips to make it feel less scary and
more approachable:

Start Small
You don’t have to jump into a 45-minute dance integration lesson immediately. Instead, ease
into it with small, manageable steps. Start by incorporating simple movement strategies,
perhaps ones you picked up at PSAE’s Arts Integration Conference, as an activator or check for
understanding.

For example, try the Move It! Shape It! strategy:

● Give students a vocabulary word or concept to express in movement.
● Play music and students move to express vocabulary or a concept through movement.
● When the music stops, students freeze in a body shape.
● Repeat with different terms.

Even a few minutes of dance can enhance engagement and learning.

Utilize Resources
There are plenty of resources to support you on your dance integration journey. Reach out to a
dance specialist, integration coach, professional learning community, or a colleague as thought
partners. Collaborating on curriculum connections, discussing dance strategies, and
implementation will help refine your ideas and strengthen your plan. The ArtsNOW website also
offers a wealth of tools for dynamic arts-integrated learning, including unit guides, single lesson
plans, and video modules. With these resources and a supportive network, your dance
integration journey will feel more manageable and rewarding.

No Dance Skills Required.
Successfully facilitating a dance integration activity or lesson doesn’t require special dance
skills. What’s important is knowing the learning target, standard, core content vocabulary, and a
few key dance terms. These key terms fall under the elements of dance: Body, Space, Time,
and Energy. Key terms for each element include:
● Body: Body Shapes, Movement, Locomotor and Non-locomotor
● Space: levels, size, pathways
● Time: tempo, beat
● Energy: qualities of movement, force

As the facilitator, your role is to guide the process of creating, performing, responding to, and
connecting dance with other content areas. Here are some content ideas with key vocabulary:

● Students create symmetrical and asymmetrical body shapes at high, middle, and low
levels.
● Students create a 3 movement sequence that retells events from the beginning, middle,
and end of a story using locomotor and non-locomotor movements.
● Students explore movements for different types of weather focusing on movement
qualities (vibratory, heavy, sudden, smooth)
● Students create movements that depict key events during westward expansion utilizing
changes in tempo, at least two movement qualities, and pathways.

With a thoughtfully designed integration activity and a solid understanding of essential dance
terminology, you'll be leading learning through dance — no fancy footwork necessary.
​
You don’t need a dance studio or fancy costumes to integrate dance. Remember to begin with
small steps, utilize available resources, and deepen your understanding of essential dance
terminology. As you embark on your integration journey, let curiosity and courage take the
place of fear. Dance integration isn’t about achieving perfection; it’s about fostering expression,
engagement, and creating meaningful learning experiences for your students.
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    Author

    Cyndi Waddell is a native South Carolinian and graduated from Columbia College in 1986 with a Bachelor of Arts degree and a major in Dance.  She also holds a Master of Education degree from Converse College. After graduation she danced professionally in Cleveland, Ohio and New York throughout the late 1980’s.  After returning to South Carolina in 1990, she began teaching dance education in the public schools and currently is the dance specialist at Stone Academy of Communication Arts in Greenville County.  In the course of her career she has supported arts education through service on the writing committee for the South Carolina Dance Standards, as the President of the South Carolina Dance Association, as South Carolina Dance Educator of the Year, as a grant reader for the South Carolina Arts CommissionSouth Carolina Department of Education and as a participant and facilitator for the Curriculum Leadership Institute in the Arts and the South Carolina Arts Leadership for Success Academy, and as a member on the National Dance Education Organization’s Mentorship Committee.

    Author

    Sarah Blackman is a poet, fiction and creative non-fiction author originally from the Washington D.C. area. She graduated from Washington College, summa cum laude, with a BA in English, minor Creative Writing, and earned her MFA from the University of Alabama in 2007 with a primary concentration in fiction and a secondary concentration in poetry.  Her poetry and prose has been published in a number of journals and magazines, including The Georgia Review, Denver Quarterly, Crazyhorse, and American Poetry Review among others. Blackman is the co-fiction editor of DIAGRAM, the fiction editor of Cherry Tree and the founding editor of Crashtest, an online magazine for high school age writers which she edits alongside the students at the Fine Arts Center. Additionally, she is a fiction reviewer for Kirkus. Her story collection Mother Box was the winner of the 2012 Ronald Sukenick/American Book Review Innovative Fiction Prize and was published by FC2 in 2013. Her novel, Hex, was published by the same press in April, 2016. In 2018 she joined the board of FC2 and in 2020 she was awarded a South Carolina Humanities Individual Artist Fellowship. She is represented by the Wylie Agency.

    Author

    Roger E. Simpson, Jr. is the Education Associate for the Visual & Performing Arts for the SC Department of Education. Prior to this position, Roger worked as a music educator in SC schools. 

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    Author

    Jeff Robinson is the Executive Director of SC Arts Alliance, which is SC's champion for arts support. Jeff is also the Chair of PSAE's Board!

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    Author

    This blog was compiled by Melody Powell with contributions from Chris Crabb and Katie Kerechanin.

    Author

    Jenny Kabool has been the Executive Director of Palmetto State Arts Education since 2022. A life-long lover of all things theater, she has performed on stage in musicals, as a part of an improv team, and as a storyteller. She is mom to two awesome dino-loving boys.

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    Kayleigh Vaughn is the Director of Exhibitions and Programs at the Morris Center for Lowcountry Heritage and serves as the treasurer for the Palmetto State Arts Education board. With a passion for South Carolina’s cultural history, she curates exhibits that celebrate the state’s diverse heritage and artistic traditions. 

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    Christopher Crabb is a Project Manager with ArtsNOW and serves on the board for PSAE (Palmetto State Arts Education). Over his 20-year career in public education, Chris has served as a dance educator, arts-integration instructional coach, arts grant manager, and district coordinator of performing and fine arts. He was the 2022 Arts Administrator of the Year (SC Art Education Association) and a Top 5 Finalist for Beaufort County District Teacher of the Year. 

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    ​Kerrie Kish is the principal at Fairforest Elementary, PSAE’s 2023 STEAM School of Excellence. Before transitioning into administration 9 years ago, she taught visual arts for 11 years at the elementary and middle school levels. Mrs. Kish serves on PSAE’s Board of Directors and avidly supports learners and leaders through STEAM integration.

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    Author

    ​Melody Powell is a 3rd grade teacher at Stone Academy, an arts integrated elementary school in Greenville County. Outside of the classroom, Melody serves on the board for PSAE (Palmetto State Arts Education), works with the ABC Institute as a part of the Teacher as Curator cohort, and is an active teaching partner with the SMARTarts program (a subsidiary of the Metropolitan Arts Council).

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